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Vol. I · No. 18Morning edition
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Arts & Culture

Arts

U.S. Venice pavilion $1 million short of cost to bring sculptures home
The Art Newspaper

U.S. Venice pavilion $1 million short of cost to bring sculptures home

Nonprofit behind Alma Allen's show has raised $1.4 million of a roughly $2.5 million budget, with the Biennale closing this month

VENICE — The American Arts Conservancy, the nonprofit that organized the U.S. pavilion at the 2026 Venice Biennale, says it lacks about $1 million to dismantle the show and ship Alma Allen's large stone and metal sculptures back to the United States. The New York Times reported the shortfall. The group's director, Jenni Parido, wrote to donors that it has raised $1.4 million against a budget just under $2.5 million. The State Department supplied its customary $375,000 grant and left the remainder to private fundraising. The pavilion has no storage space, and the Guggenheim Foundation, which maintains the building, reportedly cannot hold the works either. Allen told the Times he knew nothing of the funding problem. The U.S. presentations cost about $5 million in 2024 and nearly $7 million in 2022. The conservancy has not said what it will do if the money does not come in.

Why it mattersThe episode shows how thin the funding and oversight behind a flagship U.S. cultural presentation abroad have become under a privately run model.

The Art Newspaper foreign · ARTnews trade · Finestre sull'Arte foreign
Unknown Duncan Grant drawing of dying Vanessa Bell found at Charleston
FAD Magazine

Unknown Duncan Grant drawing of dying Vanessa Bell found at Charleston

Family papers yielded a 1961 portrait, donated to the museum days before Tate Britain's Bloomsbury show opens

LONDON — A previously unknown pencil-and-biro drawing of Vanessa Bell by her partner Duncan Grant has surfaced among family papers and been donated to Charleston, the Sussex house where the two artists lived and worked. It shows Bell in profile with her eyes closed. The sheet is dated April 14, 1961, which is after her death on April 7 and her burial on April 12. Charleston's head of collections, Darren Clarke, thinks Grant added the date from memory later in life. Charleston says the drawing is probably his last portrait of her, and it joins the museum's campaign to acquire 50 major Bloomsbury works by 2030. It will not hang in Tate Britain's Vanessa Bell & Duncan Grant: Inside Bloomsbury, which opens November 12. A small reproduction is expected in the catalogue. The drawing goes on display at Charleston in May 2027.

Why it mattersA new, intimate work by two central figures of British modernism arrives just as the largest exhibition on their partnership opens.

FAD Magazine trade · Artforum trade · Artnet Bulletin trade
Noguchi's Akari lanterns and a Black design survey open this week
Designboom exhibition radar, November 2026

Noguchi's Akari lanterns and a Black design survey open this week

New York's Noguchi Museum marks 75 years of the paper lights as London's Design Museum readies a major group show

NEW YORK — The Noguchi Museum in New York opens No Ordinary Light: Akari at 75 today, running through September 5, 2027. The exhibition follows Isamu Noguchi's illuminated paper sculptures from their start in Gifu, Japan, in 1951. He eventually made more than 200 variations, and a lantern about two meters across is among the pieces on view, according to Designboom. In London, the Design Museum opens The Nue Black Aesthetic on November 6, running to August 8, 2027, with adult tickets from £15.29, Londonist reports. Both are part of a crowded November design calendar. Designboom also lists Hella Jongerius's Whispering Things in Hamburg and Sabine Marcelis's first museum show in Zurich, which uses 125 lamps to form a tunnel.

Why it mattersThe shows reflect design's growing place in major museum programming, from a postwar modernist's lighting to a contemporary survey of Black designers.

Books

Jaenada wins Goncourt for Paris murder investigation; Désérable takes Renaudot
franceinfo

UPDATEJaenada wins Goncourt for Paris murder investigation; Désérable takes Renaudot

Flammarion's winner prevails six votes to three after a season shaken by an AI-authorship scandal

PARIS — The Académie Goncourt on Tuesday gave its 2026 prize to Philippe Jaenada, 62, for L'Inconnue du quai de Javel, published by Flammarion on Aug. 12. The book is a first-person investigation into the 1949 killing of Louise Cansot, a 29-year-old Breton woman working as a model in Paris. The vote was six to three, according to Livres Hebdo and Le Devoir. They differ on the runner-up: Livres Hebdo names Sylvain Prudhomme (Minuit), while Le Devoir names Yannick Haenel (Flammarion). Jury president Philippe Claudel said the book gives visibility to a victim the police neglected. The Renaudot, announced at the same time, went to François-Henri Désérable for Le Palais (Gallimard). Livres Hebdo noted that the Médicis jury was the one to surprise, choosing Philippe Vasset. The selection was disrupted when the Académie dropped Thélyson Orélien's novel on Sept. 25 over AI and plagiarism allegations. He denies using AI but has acknowledged plagiarism.

Why it mattersFrance's biggest literary prize reliably moves sales, and this year's contest became the country's first major test of how publishers handle AI-authorship claims.

franceinfo foreign · Livres Hebdo foreign · Le Devoir foreign · Outre-mer La 1ère / AFP
Catapult Book Group shuts down; buyer of Counterpoint, Soft Skull still unnamed
Publishers Weekly: Catapult Union Reaches Severance Agreement

Catapult Book Group shuts down; buyer of Counterpoint, Soft Skull still unnamed

Union wins severance deal as 16 spring 2027 titles await a new owner

NEW YORK — Catapult Book Group, the independent house founded in 2015 by Elizabeth Koch and Andy Hunter, wound down operations on Oct. 30, according to Publishers Weekly. Its imprints are Catapult, Counterpoint Press, Soft Skull Press and Hawthorne Books. Roughly 20 unionized employees, who voted in June to join UAW Local 2110, reached a separation agreement. The union says it more than doubled the severance the company first offered. The company is being sold on an assets-only basis, and the union says it was told staff could not continue with the buyer. The buyer has not been identified, and the sale is believed to be several weeks from closing. Sixteen frontlist titles are slated for spring 2027. Publishing commentator Brooke Warner has speculated that Zando could be the buyer. That is her conjecture and is unconfirmed. Authors' contracts and rights remain unresolved.

Why it mattersThe closure removes a prominent literary list, and it raises questions about authors' rights when assets are sold without the staff.

Baker & Taylor liquidation plan leaves nothing for unsecured creditors
Publishers Weekly: B&T Liquidation Plan Proposed

Baker & Taylor liquidation plan leaves nothing for unsecured creditors

Creditors vote by Dec. 1 on the library wholesaler's wind-down; publishers are owed about $68 million

TRENTON, N.J. — Baker & Taylor, the shuttered library wholesaler, presented a liquidation plan at an Oct. 28 hearing in U.S. Bankruptcy Court in New Jersey. Publishers Weekly reports that its assets are valued at $6.6 million, with an estimated liquidation value of about $1.67 million. Post-petition debt is $10.2 million, so nothing would remain for unsecured creditors. Voting creditors have until 4 p.m. EST on Dec. 1 to accept or reject the plan. Law360 reports that a confirmation hearing is set for December. The company closed in late 2025 after a sale to ReaderLink collapsed over its debt, and filed for Chapter 11 in March. Its filings put general unsecured obligations at about $120 million. That includes roughly $68 million owed to publishers and suppliers and $33 million tied to library customers. Penguin Random House is owed more than $23 million. Its publisher-services arm was sold to Lakeside Book Company.

Why it mattersThe collapse of a 198-year-old supplier has cost publishers and libraries, and the plan leaves almost no recovery for unsecured creditors.

Movies

Disney readies thousands of layoffs, with some managers told to cut 20%
Gulf News (citing Bloomberg)

Disney readies thousands of layoffs, with some managers told to cut 20%

Film studio and TV networks among units facing new cost targets under CEO Josh D'Amaro

BURBANK — Disney is preparing another large round of job cuts, according to reports from Bloomberg and Deadline. Managers in several divisions, including the motion picture studio and the TV networks, have been given annual cost-savings targets, and some have been asked to find as much as 20%. The savings are expected to come from layoffs and other spending cuts, and the burden will fall unevenly across units. Bloomberg reported that CEO Josh D'Amaro plans to put part of the money back into film and TV programming, technology, theme parks and cruise ships. Disney declined to comment. It has not said how many jobs are at risk or when cuts would start. D'Amaro succeeded Bob Iger on March 18. Since then Disney has cut about 1,000 roles in April and several hundred more in July, hitting Pixar and National Geographic among others. In August it offered early retirement to eligible staff.

Why it mattersA major studio reducing film and TV costs by this much could change how many movies get made and how many film jobs remain.

Deadline trade · Gulf News (citing Bloomberg) foreign · Forbes
Lionsgate and Meta team up on 3D 'Hunger Games' for cinemas and VR glasses
Variety

Lionsgate and Meta team up on 3D 'Hunger Games' for cinemas and VR glasses

First time Meta has converted a Hollywood feature for theatrical release; film opens Nov. 20

LOS ANGELES — Lionsgate and Meta announced a partnership to release 'The Hunger Games: Sunrise on the Reaping' in 3D. The film opens in theaters on Nov. 20. It will later stream in 3D on Meta's VR glasses, which are due in spring 2027 and priced at $1,299, according to Variety. It is the first time Meta has worked with a Hollywood studio to convert a feature for a theatrical release. Director Francis Lawrence and the effects house DNEG handled the conversion. Lionsgate said more of its titles will follow, though none has been named. The film is the sixth in the franchise and the second prequel. The earlier prequel, 'The Ballad of Songbirds and Snakes,' took in $363 million worldwide in 2023. Meta has not said how the 3D version will be sold to home viewers.

Why it mattersThe deal tests whether theatrical 3D and home VR can work together as a new distribution window for studio films.

Variety trade · The Hollywood Reporter trade · IndieWire trade
'Elsinore' leads British Independent Film Awards with 12 nominations
Screen Daily

'Elsinore' leads British Independent Film Awards with 12 nominations

Barnard's 'I See Buildings Fall Like Lightning' has eight; Ashley Walters' debut 'Animol' has seven

LONDON — Simon Stone's 'Elsinore' leads the 2026 British Independent Film Awards with 12 nominations, announced Tuesday in London. The film stars Andrew Scott as the actor Ian Charleson, who played Hamlet at the National Theatre while dying of AIDS. Clio Barnard's 'I See Buildings Fall Like Lightning' has eight nominations. It won a prize in Cannes' Directors' Fortnight. 'Animol,' the directing debut of 'Adolescence' star Ashley Walters, has seven. Best British independent film is contested by 'Elsinore,' 'I See Buildings Fall Like Lightning,' 'Effi O Blaenau,' 'Queen at Sea' and Mike Leigh's 'Tender Loving Care.' Best director nominees are Stone, Barnard, Leigh, Andrew Haigh ('A Long Winter') and Mark Jenkin ('Rose of Nevada'). Lee Chang-dong's 'Possible Love,' which reaches Netflix on Friday, is among the best international independent film nominees.

Why it mattersThe British independent awards are an early guide to which smaller films may carry momentum into the wider awards season.

Screen Daily foreign · The Hollywood Reporter trade · Awards Watch trade

Music: Piano & Classical

Maria João Pires, retired since a stroke, returns to the recording studio
Slipped Disc

Maria João Pires, retired since a stroke, returns to the recording studio

The Portuguese pianist was pictured rehearsing for sessions at her Belgais arts centre, Slipped Disc reports

BELGAIS, Portugal — Maria João Pires, the Portuguese pianist who stopped giving concerts about 11 months ago after a small stroke, is preparing to record again. Slipped Disc reported on October 21 that she was photographed rehearsing for recording sessions at the Belgais Centre for the Arts. She founded the arts complex in the Beira-Baixa region of eastern Portugal. The site also says she now plans to "make some recordings". The report is a single-source item from a classical-music news blog. No label, repertoire or release date has been announced, and the account has not been independently confirmed. Pires is one of the most admired Mozart and Schubert pianists of her generation. A return to the studio, even without a concert stage, would be welcome news for her listeners.

Why it mattersOne of the most respected pianists of her era may be adding to her discography after what had looked like a full retirement.

Slipped Disc independent
Thibaudet plays Liszt with New York Philharmonic under Payare this week
Playbill

Thibaudet plays Liszt with New York Philharmonic under Payare this week

Concerto pairs with Bruckner's Ninth; Orchestra of St. Luke's and a nine-pianist nocturne cycle also on the week's slate

NEW YORK — Pianist Jean-Yves Thibaudet joins the New York Philharmonic for four performances, November 4 to 7, at David Geffen Hall. He plays Liszt's Second Piano Concerto under Rafael Payare, who also conducts Bruckner's Symphony No. 9 on the same program. Elsewhere in the city, Louis Langrée leads the Orchestra of St. Luke's in Berlioz's Symphonie fantastique at Carnegie Hall on November 5. On November 7, Death of Classical presents Ellis Ludwig-Leone's Quiet Hours at Riverside Church's Christ Chapel. It is a cycle of nine nocturnes written for nine pianist friends, including Timo Andres, Aaron Diehl and Simone Dinnerstein. Each pianist plays one nocturne. Reviews of the Philharmonic concerts have not yet appeared.

Why it mattersA Liszt-and-Bruckner program with a veteran soloist is one of the week's main orchestral piano events in the United States.

Kolesnikov's Chopin Nocturnes reach No. 2 on Apple Music Classical chart
The Violin Channel

UPDATEKolesnikov's Chopin Nocturnes reach No. 2 on Apple Music Classical chart

The Gramophone Recording of the Month sits near the top of the weekly global ranking

Pavel Kolesnikov's Chopin Nocturnes, already named Gramophone's Recording of the Month, has now made the commercial charts. Apple Music Classical's global top-10 for October 26 to November 1 places the album second. Only an album titled Schubert: Treasures ranks higher. The same list includes Mendelssohn's Songs Without Words in fourth place and a Bach Well-Tempered Clavier, Book I recording in sixth. A live Goldberg Variations from Carnegie Hall, recorded in 2025, is tenth. Apple updates the ranking every Monday, and it draws on listening across its own services. It measures popularity, not critical standing. The result shows that the critical praise for the Kolesnikov recording is matched by audience interest. The Violin Channel published the list on November 2.

Why it mattersA critically acclaimed piano album is also finding a large audience, a pairing that is not always guaranteed in classical recording.

The Violin Channel trade
London opera roundup: ENO's Tosca disappoints, Covent Garden's Carmen praised for its lead
Bachtrack: ENO Tosca review

London opera roundup: ENO's Tosca disappoints, Covent Garden's Carmen praised for its lead

Bachtrack critics split on two new and revived productions

LONDON — Two reviews from Bachtrack's London critics this week reached different verdicts. Annilese Miskimmon's new Tosca for English National Opera, reviewed on October 30 at the London Coliseum, was judged a problematic disappointment. Its promised reimagining set the opera in what the critic called a village hall. Ben Glassberg conducted, with Axelle Fanyo as Tosca, Chaz'men Williams-Ali as Cavaradossi and Christopher Purves as Scarpia. At the Royal Opera, Damiano Michieletto's staging of Carmen was revived on October 29 under Sesto Quatrini. Reviewer Dominic Lowe described it as brutal and anarchic, and said Ginger Costa-Jackson was well suited to the title role, having sung the part and French repertoire before. The ENO's Dead Man Walking, also by Miskimmon, drew a separate positive review.

Why it mattersThe two verdicts show how directors' concepts, more than casting, are shaping London critics' responses this autumn.